Get the three-dimensional quality of 35mm film by using a 2/3” HD or SD video camera with the PRO35 Image Converter. Hundreds of lens choices, formerly the realm of 35mm film are now available for video production. 

 Optimized for 35mm film lenses – motion and still.  /   Virtually the same depth-of-field, focus and angle-of-view as with a 35mm film camera.   /    Connects with a B4 camera mount to all 2/3” high definition (HD) and standard definition (SD) video cameras.   /    Interchangeable lens mounts available for shooting with Arri PL, Nikon, Panavision, Canon and BNC-R mounted 35mm lenses.   /    Camera needs no modification, just mount the PRO35 and a 35mm lens to your 2/3” video camera.   /    Industry standard 15mm lightweight support rods accommodate popular matte boxes, follow focus units and other professional motion picture accessories.   /   Power supply via camera, no extra battery needed. 

 - Time enduring through modularity, connects to many different camcorder models    /   -  Easy maintenance   /  - Optimized for 35mm film lenses - motion and still   /   - Virtually the same depth of field, focus length and angle of view as with a 35mm film camera   /   - Interchangeable mounts available for shooting with PL, Panavision, Nikon F, Leica M/R or Canon EF/FD mounted 35 mm lenses   /    - Industry standard 15mm lightweigth support rods accommodate popular matte boxes, follow focus units, and other professional motion picture accessories   /   - Switch easily between the Sony, Canon and Panasonic camcorders using the appropriate Connecting Kit with the same 400 Series MINI35 Basic Unit    /    - Connecting Kit available for the Sony HDV camcorders HDR-FX1 / HVR-Z1   /   - The Canon Connecting Kit is compatible with all versions of the MINI35 Basic Unit   /   - To ensure that you achieve the very best image quality, the Panasonic Connecting Kit is compatible only with the '400' Series MINI35 Basic Unit    /   - Adjustable ground glass speed    /   - Low noise level  

Lens Mount   Nikon F Mount   /  Aperture Range   f/2.0 - f/22   /  Focusing Range   0,3 m / 0,98 ft - infinity   /  Front diameter of Lens   80 mm / 3.15”   /  Lens block inside   powered by CARL ZEISS, Germany   /  Dimensions   ø 95mm, length 89 mm  /  ø 3.74”, length 3.5”   /  Weight   660 grams / 1.46 lbs 

Lens Mount   Nikon F Mount   /  Aperture Range   f/2.8 - f/22   /  Focusing Range   0,17 m / 0,56 ft - infinity   /  Front diameter of Lens   80 mm / 3.15”   /  Lens block inside   powered by CARL ZEISS, Germany   /  Dimensions   ø 95 mm, length 88 mm  /  ø 3.74”, length 3.46”   /  Weight   650 grams / 1.43 lbs 

Lens Mount   Nikon F Mount   /  Aperture Range   f/1.4 - f/16   /  Focusing Range   0,45 m / 1,48 ft - infinity   /  Front diameter of Lens   80 mm / 3.15”   /  Lens block inside   powered by CARL ZEISS, Germany   /  Dimensions   ø 95mm, length 77 mm  /  ø 3.74”, length 3.03”   /  Weight   530 grams / 1.17 lbs 

Lens Mount   Nikon F Mount   /  Aperture Range   f/1.4 - f/16   /  Focusing Range   1 m / 3,28 ft - infinity   /  Front diameter of Lens   80 mm / 3.15"    /  Lens block inside   powered by CARL ZEISS, Germany   /  Dimensions   ø 95mm, length 78 mm  /  ø 3.74”, length 3.07”   /  Weight   530 grams / 1.17 lbs 

P+S TECHNIK launches its first set of 35mm prime lenses equipped with a Nikon mount. These high quality lenses are based on CARL ZEISS lenses and perfectly work with the P+S TECHNIK Image Converters as well as with all other P+S TECHNIK products equipped with the P+S Technik Interchangeable Mount System. The 35Digital Lens set includes a 18mm/T3.5, a 25mm/T2.8, a 35mm/T2.0, a 50mm and a 85mm lens, both T1.4. 

 - Work perfectly with MINI35, PRO35, WEISSCAM, SKATER Scope, SI-2K etc   /   - Only high quality materials used   /   - Compact Design    /   - Standard 0,8 gear ring    /   - Standard 80mm front lens diameter (except of 35Digital 18mm/T3.5 90 mm) 

The Red Eye™ is about the size of a filter and weighs less than 100 grams. The bulk and weight have been eliminated by using a durable and compact, high index, high clarity optical material which substantially reduces the size and weight of the lens. All Red Eye™ wide angle adapters feature a multi-layer anti-reflective coating to increase light transmission to near 100% for optimum image clarity, contrast and sharpness. In addition, hard coatings offer an extra degree of scratch resistance and improve water repellency. The lens housing is anodized aluminum and uses standard 62mm, 72mm, 77mm or 82mm thread mount. Each lens comes with its own hand-crafted padded leather case. 

Super Wide   /  Zoom Ratio 11x  /  Built-in Extender 2.0x  /  Range of Focal Length 4.7~52mm(with Extender) 9.4~104mm (2.0x)  /  Maximum Relative Aperture 1:1.9 at 4.7~40.3mm(with extender) 1:2.45 at 52mm 1:3.8 at 9.4~80.6mm 1:4.9 at 104mm (2.0x) 

Zoom Ratio 22x  /  Built-in Extender 2.0x  /  Range of Focal Length 7.6~168mm(with Extender) 15.2~336mm (2.0x)  /  Maximum Relative Aperture 1:1.8 at 7.6~114.1mm (with Extender) 1: 2.65 at 168mm  1:3.6 at 15.2~228.2mm  1:5.3 at 336mm (2.0x)

Wide Stand Lens  /  Zoom Ratio 17x  /  Built-in Extender 2.0x  /  Range of Focal Length 7.7~131mm(with Extender) 15.4~262mm (2.0x)  /  Full servo : SS-41-IASD / SS-41-DSemi servo: MS-210D

the Widest 2/3" Pro-Video Lens w/2x  /  Zoom Ratio 13x  /  Built-in Extender -  /  Range of Focal Length 6~78mm(with Extender) /  Maximum Relative Aperture 1:2.0 at 6~58mm(with extender) 1:2.7 at 78mm  /   Angular field of view 72.5° x 57.6° at 6mm(with Extender) 6.5° x 4.8° at 78mm Aspect Ratio 4:3  (8.8 x 6.6mm)